White gold and diamond signet ring “Gatsby”

$422

unique piece, 1 item available

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    *Select the desired size

    Unless otherwise stated in the product description, resizing is available up to 5 sizes larger or smaller. Beyond that, please contact us to study the feasibility of the request.
    Select the desired size and add the option to your cart for 30€.  Please note that resizing adds a delay of one week to 10 days to your order shipment.  Also note that rings that have been resized can neither be taken back nor exchanged.

    *Select the desired size

    Unless otherwise stated in the product description, resizing is available up to 5 sizes larger or smaller. Beyond that, please contact us to study the feasibility of the request.
    sizing is available up to 3 sizes larger or smaller.

    Select the desired size and add the option to your cart for 30€.  Please note that resizing adds a delay of one week to 10 days to your order shipment.  Also note that rings that have been resized can neither be taken back nor exchanged.

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Description

Elegant signet ring from the Art Deco period in white gold set with twelve small rose-cut diamonds. Originally engraved with initials, its face has been covered in white gold and repolished to reveal a mirror-like surface. The quintessence of the style of the 30s, this piece with minimalist refinement and geometric lines will suit both men and women. Would you like to engrave initials on it? Contact us by email (contact@onisi-paris.com) to discuss your request.
Size: FR 51 / US 6 / UK M
Dimensions of the face: 7mm X 7mm
Weight: 2.05g
This unique piece had a previous life in France.

The Story: Taking its name from the 1925 World’s Fair titled “International Exhibition of Modern Decorative and Industrial Arts,” the Art Deco movement is characterized by its geometric designs reminiscent of industry (no screws, nuts, gears). White gold, platinum, chrome and silver are also characteristic of the period, during which yellow gold, previously highly prized by jewellers, was substituted for these “white” materials, further in line with the movement’s industrial aesthetics.

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